Has any other soprano matced the dramitic and emotional intensity Callas brought to this role ?I doubt it.And consider she first sang Satuzza as a teenager !
A highly dramatic scene, one of the most impassioned outbursts of the score, occurs at this point. Turiddu turns to follow Lola into the church. Santuzza begs him to stay. "No, no, Turiddu, rimani, rimani, ancora-Abbandonarmi dunque tu vuoi?" (No, no, Turiddu! Remain with me now and forever! Love me again! How can you forsake me?).
A
This is simply why I am a true devotee to my recording of the Cavalleria rendered by them... such a touching complement of emotions can make both of them together!! Simply the definite rendition of the Cavalleria Rusticana!!